Evolve Healthy

evolve healthy

Evolve Healthy

Evolve Healthy Notes

To evolve is healthy for painters I think. I have been gradually changing in my work since the beginning. I believe fresh technique and ideas keep our work exciting and interesting. I know some artists who have not changed in style for years. Their brushwork is predictable as well as their palette, subjects and so forth. Yes, I would know their work anywhere, and they have an established style, but is that good? Surely their fans and collectors will run out of interest eventually? I don’t know.

Birds and Nests Art

Evolve Healthy

I have evolved more times than I can count. I am a curious person so that suits my personality well. I think the key for me is interest in the process of painting. I don’t care so much about the finished work. Of course I want it to be good and pleasing. We all have egos, but if I didn’t make a living from my art, it wouldn’t matter much about the finish for me.

Linda’s Drawings

I think it is the path along the way through a painting that keeps me at it so enthusiastically. Happily, I have matured enough to not worry overmuch about where I am in the pecking order of artists anymore. What a relief! There are dozens of decisions along the path of a painting. All of them are viable and none are perfect. Making those choices create the unique quality of one artist’s work compared to others. If you line up a dozen painters in front of a scene, the 12 paintings will be different, due to the decisions made along the way to end. Isn’t that cool?

Evolve Healthy

Then there is the factor of maturing, both in age and style. When I was a young painter, I wanted to paint everything. I had a mishmash of subjects and styles going all at once. My work was immature and chaotic. I was experimenting and learning in art school and for some years after. Developing into a mature painter takes a fair amount of time. I didn’t really learn how to paint until I was fifty, though I had painted all my life. Now at 68, I am developing some consistency in my body of work. It is important now not to fall into the trap of safety. I know how to paint, but I don’t want to lock myself into a style because it is pleasant and I sell paintings. Now is the time to renew the adventure. My time grows shorter due to aging. I still have a lot to learn and I still need to push further to find those arcane learning opportunities to grow.

Evolve Healthy

Branching out to birds is one of those fun ways to push myself. Two years ago I knew nothing about birds. I have focused some of my study time on small birds now. They are primitive and whimsical but they are a relief from the hard work of being a landscape painter and increase my knowledge base of the natural world. I don’t have the skill of serious bird painters and wouldn’t have the hubris to try to compete with my betters in that genre, but I can have fun and learn from these sweet little creatures. They take me away from my other work for a bit of fun and learning.

What ever your path, change it up now and then and don’t be afraid to look silly. it is all good learning.

More musings for artists and collectors to come…

Today’s Recipe

Southwest Potato Salad

1 lb red potatoes, thinly sliced
2 tablespoons water
1/4 bunch fresh cilantro, coarsely chopped
1/2 shallot, finely chopped
2 limes, for zest/juice
1/2 cup  mayonnaise
2 teaspoons garlic seasoning
3 oz queso fresco, crumbled

Slice potatoes and place in microwave-safe dish with water; cover and microwave on HIGH for 8–10 minutes or until tender (stirring halfway through cook time). Drain and let stand to cool.
Chop cilantro (1/4 cup) and shallot (2 tablespoons). Zest 1 lime (2 teaspoons); squeeze both limes for juice (2 tablespoons).
Whisk in large bowl: mayonnaise, seasoning, cilantro, shallots, zest, and juice. Add potatoes to mayonnaise mixture; toss gently until blended. Crumble queso fresco over top and serve. (Makes 6 servings.)

 

 

New Block In Technique

New Block In Technique

New Block In Technique Notes

I’ve been working on a new block in technique just for fun. It has worked pretty well so far. I have a pretty deliberate approach to painting, with consideration of palettes, armature, rebatment and composing before I begin. Considering all that, I usually start fairly carefully and slowly with the block in. Lately, I have been using a large brush for block in work with less care in terms of brushwork at the first stages of the process.

New Block In Technique

Monthly Painting Offer

I use big brush strokes and  flatten them out with a large dry brush, thinning the paint out on the canvas in value ranges from dark to light. The block in is more scrubby than my normal technique. I also do more layers of transparent colors at this stage. I’ve been using this technique to do a lot of back lit trees. The lighting is striking without putting much detail in the actual painting.

Linda’s Art and Stories Facebook Group

New Block In Technique

It’s not that the painting is loose and sloppy. It has all the careful composing, value distribution and contrast of my usual technique but the arrival is different. The back lit effort works especially well because the trees and their canopies are quite dark with most of the detail on the edges, as haloes of light on the outside edges. With the atmosphere quality this new block in  technique works very well, leaving a more dreamy look to the distant trees and back ground. I then begin to add more careful strokes in the last third of the painting. I’m having a lot of fun with this technique. It is well suited to acrylic application. Oils would take drying stages between these layers, but with patience, would work too.

New Block in Technique

I’m working on a new commission, 18×22 inches. I have decided to try this new technique for the painting. So far, so good. I may find it successful.

More musings for artists and collectors to come…..

Today’s Recipe

Glazed Carrots

2 lb carrots, thinly sliced
2 tablespoons canola oil
1/2 teaspoon  salt
1/4 teaspoon pepper
3 tablespoons brown sugar
3 tablespoons reduced-sodium chicken broth
3 tablespoons balsamic vinegar
1/2 cup dried cherries
2 tablespoons fresh Italian parsley, coarsely chopped
4 oz shredded Parmesan cheese
Steps
Peel carrots, then cut into 1/4-inch thick slices. Place in microwave-safe dish. Cover and microwave on HIGH 3 minutes.
Preheat large sauté pan on medium. Place oil in pan, then add carrots, salt, and pepper; cook and stir until tender.
Combine sugar, broth, vinegar, and cherries, then add to carrot mixture; cook and stir 2–3 minutes or until mixture thickens. Chop parsley. Arrange carrots on serving platter; top with parsley and cheese.

 

Study Hard

compromise

Study Hard

Study Hard Notes

The idea of needing to study hard for advanced painters is odd to some. I think it’s easy to get into a rut, especially when we are long time experienced painters. We start our paintings, work along on them until they are finished and then we start another one, with nary a thought about it. I know so many painters who have stopped challenging themselves. They are good painters. They feel that they don’t need to change anything. The problem with that is that change is inevitable. Nothing stays the same, including our skill level. If we don’t continue to challenge ourselves, little by little our skills start to decline, from boredom if nothing else. We are a little more careless in our composing, a little sloppier in our brushwork, pay a little less attention to value placement and little by little we lose the spark and freshness of discovery. Our work becomes more formulaic, more predictable.

Linda’s Etsy Shop

Study Hard

There are a lot of reasons this happens, not just laziness. Many painters get into a rut because they feel a comfort level. They don’t want to leave the safety of a well used palette, a style of brushwork or values. The are selling and have been for a long time with that particular palette or style. Their work appeals to decorators. They have built a brand name with that style. I can understand that and I think it’s ok to stick with what works, however, there is a way to have that and grow as well. There is nothing that says you can’t build an alternative body of work that is separate from the old standby.

Study Hard

No matter your level, there is room to grow. I like the fact that I am constantly struggling. Sometimes the challenges are almost overwhelming to me and I like that. I could play it safe and paint palm trees the rest of my life and probably make an easier living. I know a guy who does that and he is quite successful, more than me. He makes up all kinds of important sounding names for his palm paintings invoking a spiritual notion about them. He has found a gimmick that works. His palms aren’t any better than a couple of dozen other artists’ palms, but the gimmick sells them.

I also understand that when an artist reaches a certain level in their career, they are hesitant to admit that they need to study. I used to feel that way back in the day when I thought I knew how to paint. It wasn’t until I was about 50 that I realized I didn’t know squat about painting. It’s pretty humbling actually. The longer I paint the more I discover that I don’t know squat!

Study Hard

Linda’s Art and Stories Facebook Group

There are lots of ways to quietly study and grow, without shouting to the world that you need help in your painting. I’m lucky enough to have collectors who love me whether I’m a great painter or not. Not every artist is that lucky. They enjoy my forays and experiments along the way.

You can study painting books. Some of them are quite excellent. You can do research. I spend a fair amount of time doing this. I use my old college text books, and online resources. I design exercises for myself to practice painting techniques. You can study with painters online. This is the most convenient way to study in my life. One of the problems with study at my career stage is that there is no one local/regional whom I’m going to learn much from. When I wanted to study values and Notan, I had to use the Internet, because no one around here was teaching that area of painting.

Study Hard

Linda’s Rustic Paintings

My advice is to find a painter you want to study with and ask them if they will do online email lessons with you. I do that for a few of my own students who don’t live near me. I think most painters would be willing to do this. You will get one on one attention, critiques of your work and a lesson plan tailor made for your individual needs. What would it hurt to write and ask them?

Study Hard

Another good study source is the DVD market. Many painters offer courses on DVD and I think this would work well. They are expensive, so find out which ones are worth the money before you buy. Check on eBay to for used copies.

Workshops are fun and can be very instructive, depending on the teacher. Don’t pay to go watch somebody paint all day. Make sure they actually teach something.

I use what I call a “design kit” to study painting. It consists of colored and graphite pencils, markers, scissors, rulers, templates for circles and ovals, paper. Anything that helps me to doodle and be creative. I often do this for large paintings or commissions, figuring out the plan before I start a real painting. It saves a great deal of time and resources, helping me to avoid mistakes early in the design process.

In whatever method you choose, make the time to study painting. Your work will grow.

Study Hard

More musings for artists and collectors to come….

Today’s Recipe

Fried Rice

2 cups rice, cooked in chicken broth.
1 carrot, julienned
1 stalk celery julienned
1’4 onion finely diced
1/2 cup frozen peas
1 cooked chicken breast sliced
2 beaten eggs
2 T soy sauce

Heat wok or skillet with oil, pour in eggs, fry, add everything else and stir until all is heated thoroughly and veges are still crisp.

Save Frames

ssve frames
Save Frames
Evolve Healthy - image  on https://lindablondheim.com

Save Frames Notes

I’ve been slowly learning how to save frames. I paint some of my frames with flowers. People really like these frames and use them for mirrors, photos or chalk boards.
It is a sad fact that frames become damaged in transport. They can cost an artist hundreds of dollars. They are perfectly sound but a scar will make them unusable without intervention. Frames are one of the biggest budget items in a studio. Contemporary and abstract painters give up framing and simply use deep gallery wrap canvas. I have found that this only works for me in very large sizes. Buyers like my regular sized paintings in frames.
Save Frames
I discovered some time ago that frames can be altered and saved. Some of the frames are larger and really nicely made of good materials. I started sanding them down to paint but discovered that they look really cool as distressed frames. I have been able to save most of them to use for my paintings. In some places the sanding takes the finish down to the primer, which is usually white. I solved that problem by using either red iron oxide or raw umber, rubbed into the white primer. This works beautifully and the frames are really nice. The gold and dark frames look great done this way as they have a dark brick red under the gold and that is lovely showing through. The silver is lovely too, looking more like pewter, no longer shiny. This works quite well for my frames because they are wide and flat with a lip around the edge. I don’t know that it would work very well on ornate frames.
Save Frames
I am very lucky to have a collector who has an estate sale hobby. He finds wonderful vintage frames for me regularly and I can fix them up either by distressing them or re painting them. It is amazing how good they look with a bit of effort. He even found me a vintage classic 1960’s wood frame that is mid century modern.  I haven’t used it yet because I just love it and am not anxious to part with it. I don’t know that I will ever use it. I just like looking at it.
Save Frames
The biggest problem with framing for artists is storage. I have dozens of frames, stacked on the studio shelf and in the framing closet. I have a friend who stores her frames in a bathtub. You pull open the shower curtain and see the tub full of frames. I never want to get rid of a frame unless it is worn out. Of course you never have the size you need on hand, so it is back to the ordering page for a new frame. The cycle is endless.
Save Frames
Collectors must be made to understand that they are purchasing the painting, not the framing. The frame is just a courtesy from the artist and of little value in $$$. They should not expect a true discount from the artist, purchasing the painting unframed. I offer a 50.00 savings for painting if desired without its frame. You are purchasing the painting for the price offered.
Save Frames
More musings for artists and collectors to come….
Today’s Recipe
Sheet Pan Chicken
1 package of chicken breasts or thighs
2 potatoes diced
1 onion diced
3 carrots cut in bite sized pieces
2 celery stalks diced
2 garlic cloves minced
1 cup flour combined with salt/pepper/dried thyme/paprika
1 cup fresh cut green beans
salt/pepper
olive oil
Pam spray
Oil sheet pan
Place vegetables on pan and coat with a bit of oil
Dredge chicken in seasoned flour
Place on sheet pan with veges
Spray everything with a coating of Pam.
Bake at 350 until Chicken is brown on top and then turn everything over and bake until done.

 

Calendar Use

calendar use

Calendar Use

Calendar Use Notes

Calendar use means a lot more than checking the date and writing appointments on your calendar. I use several different calendars at my desk. I like the one page for each month print out calendars. I print them on card stock so they wear well, and use the back of each month for notes after they are finished.

I use one as an editorial calendar for my blog posts. This is beyond helpful as it keeps me on track throughout the year. When I have an idea for a post, I write it on the editorial calendar for the date I want to post it. When I get a moment to flesh it out into a blog, I schedule the post for that date. I usually run about 2 months ahead of postings. With this calendar, I never sit at my computer to write a blog post with no idea what to write about. My mind is like a sponge, excited about everything and I love to learn about all kinds of random stuff, so the ideas are constantly whirling around my mind. I’ve never been bored a day in my life. I keep a filing cabinet in my head, back in the dusty attic of my brain. When I have nothing to do but wait on activities, I pull those drawers open and flip through the files.

Calendar Use

Linda’s Graphite Drawings

I also use a marketing calendar, equally helpful to business. I use it for projects I am interested in, like studio party planning, tea party dates for collectors, meetings with my assistant Carolyn, whom I could not party without, goals both short and long term, promotion dates and times for my studio and the all important social media updates. I really need to work on that one. it is all so overwhelming. There are actual companies who handle social media for artists, and I have considered that, though have not as yet made that leap. I am such a control freak that I have difficulty turning anything about my career over to others. I need to overcome that. In my perfect world, I have a full time business  assistant, studio assistant, and web guy to handle all of those chores. Throw in a yard/car person, a maid and cook as well. Were I to become wealthy, staff would be where I would invest. I digress!

Calendar Use

My other calendar is what most people use, for the dentist, play dates with my family, and ordinary life events. Using separate calendars for different uses seems to sort it all out for me. Some things overlap but having the big picture in front of me helps me manage my days, weeks and months.

Linda’s Etsy Shop

Calendar Use

Lastly, I create a To Do list each Sunday night for the following week. I find that to be the most useful of all my scheduling ideas. It is a mix of have to do items for the week ahead. I need this to stay on task and to function. I find this short list of about 10 items doable, rather than thinking too far ahead, which becomes overwhelming. All of these combinations keep me centered and ready to go.

Calendar Use

I have a friend who uses and interesting system with post it notes. She made a three part bendable foam core board. it sit up like kids use in a science project. The first board is the to do post it notes. The second board is the in progress board. The third board is the completed board, which gives her a sense of satisfaction that she is making progress. It is basically a tactile visual aid rather than writing lists. She moves the post it notes from board to board and then trashes the finished ones as a new one moves to the next board. She swears by this system.

Calendar Use

Whatever your system, calendars are a lot more useful than many people realize. For artists, who are dingbats like me, they are essential!

More musings for artists and collectors to come…..

Today’s Recipe

Arugula Mushroom Salad

1 red bell pepper
8 oz baby portabellas
1 bag baby arugula leaves
1/3 cup macadamia nuts
1/4 cup oil and red wine vinegar salad dressing
Cut pepper into thin strips and mushrooms into halves or quarters; place both in salad bowl.
Add remaining ingredients; toss and serve.