Acrylics Mode Notes
I turned to acrylics in October of 2018, putting my oils away for a spell. I had my Hot Dog party that month and wanted to clean up the studio for the party. Acrylics are cleaner, easier to use, less expensive, and not smelly. I decided to go along for awhile with acrylics and see what I could do.
I’ve had a long love/hate history with acrylics. I’ve been an oil painter since I was 13 years old. I started painting with acrylics at about 40, so I’ve been at the easel with them for 28 years. The first 10 years were a disaster. I hated them so much. I would use them for a month and then put them away. At the time, I tried to use them like oils and it was not pretty, and very frustrating. I didn’t give up. I kept trying on and off. About ten years ago, I spent a whole year learning how to use them. Then I went to using both mediums at two stations in the studio, which worked well.
I found that oddly, using two or more mediums seemed to cross over from one to the other in terms of technique sharing. I added casein to my mediums as well. I learned a lot about glazing and making seamless paintings between mediums. My oils and acrylics look entirely seamless most of the time now. Most people cannot tell the difference between the two when they view my paintings.
The biggest problem I see for landscape painters is a built in prejudice biased against acrylics and for oils. Back in my days at Paint Outs, painters shunned acrylics and painters who used them. I had spent a good year of studying acrylics before the paint out season. I took acrylics to a paint out, saying nothing to others. When the paintings were turned in, I told others that they were acrylics. They didn’t believe me. I see this silly attitude all the time from landscape painters. I know a woman artist who did beautiful acrylics. She joined one of the hoity toity painting groups and within a year, had switched over to oils. I’m sure she caved into the attitude of the group, as she had been a very successful acrylic painter for many years. Her acrylic work was far superior to her oil work. The abstract community does not seem to have this silly attitude, which I’m happy to note. To me, all mediums are genuine with superior skills. Luckily, I’m one of those stubborn people who don’t let others dictate how I paint and with which medium. They don’t pay my bills, so I don’t care what they think.
I think I have reached a new level with acrylics this time. I am feeling comfortable with them at last. I am sure I will go back to my lovely oils again at some point. I will wake up one day and decide it is time to bring them out. I will probably go back to using three mediums again. I don’t know when. It will be time to learn new things with my oils.
More musings for artists and collectors to come….
Sun Dried Tomato Bread
1/2 jar sun dried tomatoes
1/3 cup olive oil
1/3 cup honey
1/2 tsp basil
1 T salt
3 T yeast
1/2 cup shredded Parmesan cheese
1 cup whole wheat flour
5 cups bread flour
2 cups warm water
1 cup half & half
Combine warm water,yeast, honey and let ferment about 5 minutes. Add all ingredients with salt last. use dough hook in mixer or knead by hand until dough is elastic and mixed thoroughly. You may need to add a bit more flour.
Place in greased bowl until dough rises to top. Punch down and knead again. Separate into loaves and place in greased loaf pans. Allow to rise again and gently place in 350 degree oven. Bake until loaves are brown and check bottom to see that it is brown too. Turn out onto cooling racks and let sit until completely cool. Freeze extra loaves.